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  • flawless operation with up to 384 kHz sampling rate, thus perfectly suitable for DSD post-production including cleaning in the ultrasonic range
  • extraordinary sonic results compared to any other cleaning method, due to selective treatment of spectral representation of the signal and not its waveform
  • audio fixes that were basically impossible until now
  • enormous time saving in repairing critical live recordings
  • easy-to-learn identification and localization of unwanted audio events
  • efficient removal of unwanted disturbances and their replacement by signals re-synthesized from the surrounding audio material
  • all processing functions in linear-phase domain to prevent unwanted sound coloration
  • no audible changes in desired signal and ambience after removal of typical discrete audio disturbances
  • different kinds of signal re-synthesis
  • gain selective signal treatment similar to linear-phase equalizing function *
  • replacement of a spectral region by the another one (copy & paste)
  • automatic selection of harmonics belonging to a marked fundamental *
  • automatic identification of clicks and spikes *
  • automatic identification of tones and harmonics *
  • extended resolution for low frequencies
  • resizable and zoomable spectrogram window for sound repairing with surgical precision
  • different schemes of spectrum representation including black & white for forensic purposes
  • immediate playback of any audio part before and after processing
  • multiple undo functions
  • numerous shortcut functions for quicker workflow
  • AlgoEdit™, an easy-to-use audio editor included *
  • difference function when using AlgoEdit™; your hear what you've removed *
  • multichannel capability (Pyramix and ProTools for PC/Mac OSX and only)
  • all internal calculations in double floating-point accuracy (80 bits)
* currently only available in the PC version
reNOVAtor Menu
Demo Version
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Client Testimonials
...I cannot see how reNOVAtor is anything less than an essential tool for the audio professional dealing with the kinds of major disturbances routinely found in finishing sound for film, television and records. Disturbances that would mar a beautiful performance or an otherwise perfect recording become ancient history.
Alan Silverman
Pro Audio Review
Last updated: 17.08.2015