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  • flawless operation with up to 384 kHz sampling frequency, thus perfectly suitable for high-resolution DSD post-production
  • equal delay for every frequency, independent of filter settings, perfectly preserving the time relationship of harmonics in the original signal
  • no phase distortions and therefore no signal dispersion and transient smearing
  • no unwanted sound coloration; more clarity, transparency, and definition
  • extended center frequency setup up to 80 kHz covering ultrasonic range in DSD applications
  • 10 bands with five freely assignable parametric filter types: bell, low-shelf, high-shelf, low-cut, and high-cut
  • adjustable Q-factor for shelving and cut filters
  • extremely low-noise and low-distortion linear-phase filter algorithms
  • possibility to overlap several low-cut and high-cut filters to get desired brick wall characteristics
  • very low-noise and low-distortion oversampling technique for getting analog-like filter characteristics when working with low sampling frequencies: 44.1 and 48 kHz; clearly perceptible when equalizing higher frequencies
  • extremely low noise and low nonlinear harmonic distortion
  • resizable frequency-response display for high-precision adjustments
  • parameter editing via numerical fields or directly on the graphical display
  • automatic latency compensation (in Sequoia and Samplitude only)
  • complete setup exchange among several simultaneously opened PlugIns
  • all internal calculations with double floating-point accuracy (80 bits)
LinearPhase PEQ Menu
Demo Version
Order & Pricing Information
System Requirements
Orange vs. Red
Client Testimonials
Price: € 999 (excl. VAT)

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Having the hardware Weiss Linear Phase EQ1 Mk2 as the reference, I've never expected to hear any other product, especially a software PlugIn, playing in the same league, but the LinearPhase PEQ Orange became to be an indispensable complement tool in our mastering suite.
Stefan Lindstrom
Swedish Sound Reference AB
Last updated: 26.11.2009